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Dear book lovers, orders placed after December 12 may not arrive in time for the holidays. Orders placed after December 18 will be shipped from January 6. Thank you ❄️ Dear book lovers, orders placed after December 12 may not arrive in time for the holidays. Orders placed after December 18 will be shipped from January 6. Thank you ❄️
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Gernot Wieland, Songs for the Unwanted (with MAMC+)
Gernot Wieland, Songs for the Unwanted (with MAMC+)
Gernot Wieland, Songs for the Unwanted (with MAMC+)
Gernot Wieland, Songs for the Unwanted (with MAMC+)
Gernot Wieland, Songs for the Unwanted (with MAMC+)
Gernot Wieland, Songs for the Unwanted (with MAMC+)
Gernot Wieland, Songs for the Unwanted (with MAMC+)
Gernot Wieland, Songs for the Unwanted (with MAMC+)
Gernot Wieland, Songs for the Unwanted (with MAMC+)
Gernot Wieland, Songs for the Unwanted (with MAMC+)
Gernot Wieland, Songs for the Unwanted (with MAMC+)
Gernot Wieland, Songs for the Unwanted (with MAMC+)
Gernot Wieland, Songs for the Unwanted (with MAMC+)
Gernot Wieland, Songs for the Unwanted (with MAMC+)
Gernot Wieland, Songs for the Unwanted (with MAMC+)
Gernot Wieland, Songs for the Unwanted (with MAMC+)

Gernot Wieland, Songs for the Unwanted (with MAMC+)

€35,00

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Gernot Wieland, Chants pour les indésirables
Gernot Wieland, Songs for the Unwanted

 

Published on the occasion of the exhibition ‘Gernot Wieland. Songs for the Unwanted’ from 8 November 2025 to 5 April 2026 at the MAMC+ – Museum of Modern and Contemporary Art of Saint-Étienne Métropole

Published in collaboration with The Pill gallery

With an original text by Marie Darrieussecq
A preface by Aurélie Voltz
And an interview with Daniel Kurjakovic
Graphic design: Craig Sinnamon
160 pages
20,5 × 27,1 cm
Cloth cover, hot stamping
French edition : 978-2-36568-119-3
English edition : 978-2-36568-120-9


Blending absurdity, trauma, and humor, Songs for the Unwanted is a richly layered monograph on Austrian artist Gernot Wieland. Known for his voiceover-driven films that merge drawing, claymation, and philosophical narration, Wieland builds a world where autobiography, fiction, and psychoanalysis converge.
 
The book spans over a decade of work, featuring stills and scripts from films such as Ink in Milk and Thievery and Songs, alongside installations, texts, and diaristic drawings. Marie Darrieussecq contributes a haunting literary reflection that mirrors Wieland’s exploration of memory, repression, and emotional dissonance.

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